{"id":1747,"date":"2023-09-23T09:52:04","date_gmt":"2023-09-23T09:52:04","guid":{"rendered":"http:\/\/sylvain-roy.local\/?page_id=1747"},"modified":"2025-03-16T18:51:39","modified_gmt":"2025-03-16T17:51:39","slug":"bibliographie","status":"publish","type":"page","link":"https:\/\/www.afghanrubab.com\/en\/bibliographie\/","title":{"rendered":"Bibliography"},"content":{"rendered":"\t\t
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BAILY, John<\/strong>.<\/p>

\u00ab\u00a0A system of modes used in the urban music of Afghanistan\u00a0\u00bb in Ethnomusicology<\/em>, Vol. 25, n\u00b01. Illinois\u00a0: Ed. University of Illinois Press. Janvier 1981. pp., 1-39<\/p>

\u00ab\u00a0Principe d’improvisation rythmique dans le jeu du rub\u0101b d’Afghanistan\u00a0\u00bb in<\/em> L’improvisation dans les musiques de tradition orale<\/em>, S.E.L.F., Paris. 1987. pp., 177-188.<\/p>

\u00ab\u00a0The naghma-ye kash\u0101l of Afghanistan\u00a0\u00bb in British Journal of ethnomusicology<\/em>, Vol. 6, Ed. British Forum for ethnomusicology, 1997. pp., 117-163.<\/p>

\u00ab\u00a0Discours sur la musique \u00e0 H\u00e9rat\u00a0\u00bb in<\/em> Cahiers de musiques traditionnelles,<\/em> \u00ab Paroles de musiciens \u00bb, n\u00b011. ADEM, Gen\u00e8ve : Ed. Georg Editeur, 1998. pp., 125-140. https:\/\/journals.openedition.org\/ethnomusicologie\/1586<\/a><\/p>

\u00ab\u00a0L\u2019interaction Homme-Instrument, vers une conceptualisation\u00a0\u00bb in Cahiers de musiques traditionnelles<\/em>, \u00ab Le geste musical \u00bb. n\u00b0 14 ADEM, Gen\u00e8ve : Ed. Georg Editeur, 2001. pp., 125-142. https:\/\/journals.openedition.org\/ethnomusicologie\/1835<\/a><\/p>

\u00a0<\/em>Songs from Kabul: The spiritual music of Ustad Amir Mohammad<\/em>. Surrey\u00a0: Ed. Ashgate, 2011. 108 pp., 1 CD.<\/p>

Music of Afghanistan: Professional Musicians in the City of Herat<\/a>. [1er \u00e9d. 1988], Londres\u00a0: Ed. Silk Road, 2012. 183 pp., 1 CD.<\/p>

War, exile and the music of Afghanistan, the ethnographer\u2019s tale<\/em>. Surrey\u00a0: Ed. Ashgate, 2015. 231 pp., 1 DVD.<\/p>

BAILY, John, DOUBLEDAY, Veronica.<\/strong><\/p>

\u00ab\u00a0Mod\u00e8le d\u2019impr\u00e9gnation musicale en Afghanistan\u00a0\u00bb in<\/em> Cahiers de musiques traditionnelles, \u00ab\u00a0De bouche \u00e0 oreille\u00a0\u00bb<\/em> n\u00b01. ADEM, Gen\u00e8ve : Ed. Georg Editeur, 1988. pp., 112-124. https:\/\/journals.openedition.org\/ethnomusicologie\/2301?lang=en<\/a><\/p>

BESNAINOU, Charles, CASTELLENGO, Mich\u00e8le.<\/strong><\/p>

1995, \u00ab\u00a0De la r\u00e9sonance, une \u00e9tude acoustique du ph\u00e9nom\u00e8ne sympathique\u00a0\u00bb in <\/em>\u00ab\u00a0Amour et sympathie\u00a0\u00bb Actes des rencontres internationales autour des instruments \u00e0 cordes sympathiques, Limoges 28, 29 novembre 1992<\/em>. Limoge\u00a0: Ed. Ensemble Baroque de Limoges, pp., 53 \u00e0 61.<\/p>

FARMER, Henry, George.<\/strong><\/p>

Studies in Oriental Musical Instruments<\/em>. Londres\u00a0: Ed. Harold Reeves, 1931. 107 pp.<\/p>

MCNEIL, Adrian.<\/strong><\/p>

Inventing the sarod<\/em>. Calcutta\u00a0: Ed. Seagull Books, 2004. 234 pp.<\/p>

MINER, Allyn.<\/strong><\/p>

Sitar and Sarod in the 18th and 19th Centuries<\/em>. Calcutta\u00a0: Ed. Motilal Banarsidass, 1997. 265 pp.<\/p>

ROY, Sylvain.<\/strong><\/p>

\u00ab\u00a0Afghan Music in exile \u00bb<\/em>, in<\/em> Cahiers d’ethnomusicologie<\/em>, n\u00b037. ADEM, Gen\u00e8ve : Ed. Georg Editeur, 2024. pp. 324-327. https:\/\/journals.openedition.org\/ethnomusicologie\/5588<\/a><\/p>

\u00ab Le timbre du rub\u0101b de Kaboul \u00bb<\/em>, in<\/em> Cahiers d’ethnomusicologie, n\u00b034. ADEM, Gen\u00e8ve : Ed. Georg Editeur, 2021. pp. 77-94. https:\/\/journals.openedition.org\/ethnomusicologie\/4300<\/a><\/p>

Le kiliwali \u00ab\u00a0moderne\u00a0\u00bb, une musique au service de l\u2019identit\u00e9 nationale<\/em>, in<\/em> \u00ab\u00a0Les nouvelles d’Afghanistan\u00a0\u00bb, num\u00e9ro 165 (juillet 2019), Groupe Corlet, Cond\u00e9-en-Normandie, pp., 13-15.<\/p>

Le rub\u00e2b afghan et le r\u00e9pertoire populaire mahalli<\/em>, in<\/em> \u00ab\u00a0Les nouvelles d’Afghanistan\u00a0\u00bb, num\u00e9ro 164 (mars 2019), Groupe Corlet, Cond\u00e9-en-Normandie, pp., 12-16.<\/p>

2018, La musique classique afghane, du genre kabuli au kiliwalli moderne<\/em>, in<\/em> \u00ab\u00a0Les nouvelles d’Afghanistan\u00a0\u00bb, num\u00e9ro 162 (Septembre 2018), Groupe Corlet, Cond\u00e9-en-Normandie, pp., 24-26.<\/p>

2017, Le rub\u00e2b afghani, \u00e9tude historique, musicologique et organologique d’un luth d’Asie Centrale, th\u00e8se d\u2019\u00e9tat, Universit\u00e9 Nanterre, LESC-CREM, soutenue le 12 d\u00e9cembre 2017, 513 pp.<\/p>

SARMAST, Ahmad, Naser.<\/strong><\/p>

2004, A survey of the History of Music in Afghanistan, from Ancient Times to 2000 A. D., with Special Reference to Art Music from c. 1000 A. D., School of Music \u2013Conservatorium, Monash Universtity, 378 pp.<\/p>

WILLARD, N., Augustus.<\/strong><\/p>

2017, A treatise on the Music of Hindoostan, part. 1, 2<\/em>, [1er<\/sup> \u00e9d. 1882]. Delhi\u00a0: Ed. Facsimile Publisher, 423 pp.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ATLAS of Plucked Instruments<\/a><\/blockquote>